RAnthony Rants: Flexible Casting (lite) wouldn’t break the Wizard!

Flexible Casting-lite won’t break the Wizard

Raise the floor, not the roof!

First let’s identify what “Flexible Casting” is and why it’s a major improvement to some characters.

Mainly, it allows prepared casters to be, well, more flexible. The most obvious benefit of flexible casting being that you can choose a wide selection of spells without having to dictate exact spell slots.

That absolutely adds flexibility that is useful.

But the position I hold is that the power ceiling for a flexible caster with the same number of slots as a normal prepared caster is the sameIf a prepared caster prepares the right spell for the right slot, they have equal value to a flexible casters slots. A slots value itself isn’t determined by the type of caster, but the spell and moment in which it’s spent. 

 

We must however remember the larger benefit of the Flexible Caster archetype:

“Once you gain 2nd-level spells, you can heighten any spell in your spell collection to any level you can cast, similar to a spontaneous spellcaster’s signature spells. The only restriction is that you must select at least one 1st-level spell for your collection each time you prepare, ensuring that you can use all your spell slots each day.”

 

This aspect of flexible casting is extremely good. Being able to heighten any spell in your spell collection at any time means that you essentially have a growing pool of spell options of your top ranked spell each time you gain a new level of spells, topping out at 18 total spells potentially choosable at 20th level.

To be clear, in the case of “Flexible Casting would not grant much additional power”, it is with the absence of the above behavior.

Thus we must create a new definition for what is being discussed when we’re talking about disparity between flexible casting and normal prepared casting to argue “Giving a more flexible default casting setup to prepared casters would not increase power ceilings and general power levels”, especially and mostly with respect to Wizard (and possibly Witch, but less so for Cleric and Druid*).

 

New definition:

“When you prepare spells during your daily preparations, you must choose a spell for each slot at every rank you can cast. You choose an appropriate spell from the list of spells you know for each rank when choosing these spells, and can choose a spell to be prepared in a higher rank than its initial rank. You can cast any of the spells you chose for that rank of spells with the spell slots of that same rank.”

Example:

A 1st-level wizard would choose 2 spells and then would gain the spell of their selected curriculum. The wizard would have 2 spell slots that they could use to cast any of the three spells they have prepared, and 1 spell slot which they must still use to cast the spell of their curriculum (as normal for the rules curriculum spells). The wizard knows fear, command, grease, illusory object, and summon construct, and then two from their curriculum from the school of mentalism, choosing sleep and sure strike.

The wizard must then choose 2 spells normally, fear and command, and 1 spell from the curriculum, choosing sure strike. The wizard can now spend 2 of their normal spell slots to cast any of these three spells, and they can use their curriculum slot to cast sure strike (as normal).

If the wizard were to be 5th level and they wanted to cast fear as a 3rd-rank spell, they would need to prepare fear as a 3rd-rank spell to cast the spell with 3rd-rank spell slots, and if they wanted to cast fear as a 1st-rank spell and a 3rd-rank spell, they would need to prepare fear in both of the respective ranks to be able to cast those spells with that slot.

 

There is probably a more concise way to write the above, but I am trying to merely define a premise.

 

Assuming you understand the premise here, now you have evaluated how much more powerful the above is over the current prepared wizard.

It is inarguable that the absolute maximum efficacy that a prepared wizard can have, this option will always be closer to the ceiling. That is undeniable, and is a case to say that in some ways this raises the power budget of the wizard. For that reason, it is fair to say this would be a buff.

However, with that said, it’s about who the buff is for and whether the consequences of the buff actually create more diverse play and raise the skill floor (the lowest skill needed to play the class effectively), but it does not move the power ceiling (the maximum power that either mechanic is capable of).

I would argue that granting the above flexible casting to a wizard is a good idea. I believe that because the current structure heavily punishes “choosing wrong” on spell selection.

The definition of “choosing wrong” is to pick a spell that cannot be effectively used during your day.

 

While one could argue, yeah isn’t that the point? You’re supposed to think about how to wisely choose your spells so they are effective during the day.

Absolutely.

 

However, the issue is that there are some spells that are so effective at every level of play that preparing them absolutely ensures that the spell slot will get value during an encounter, because they have what I will call “guaranteed value”. 

Essentially a spell, no matter the outcome in most cases, that will 9/10 be an absolutely great pick during an adventuring day. You do still have to set up your own opportunities to use it, but that’s ultimately what every character wants to do during the day. Some spells do not require you to find the right enemy, be in the right circumstances, or to even be lucky. Some spells are just really good because of what they provide in an encounter as an absolute baseline, and for that reason, “you can’t choose wrong” becomes a reality.

These are spells like fear, heal, slow, synesthesia, enlarge with the right ally, summon fey for a Satyr, heroism, wall of stone, wall of force, wall of thorns, wall of text, okay, okay, you get it.

 

So let’s discuss three different arcane casters with the “4 slot” setup. 

The Example

 

We have Cici the Sorcerer who has chosen the Imperial bloodline, she chooses to learn fear, sure strike, and then her bloodline spell is force barrage. She knows each of these spells are great and she can choose to cast any of them at a whim. 

We have Walton the Wizard who has chosen the school of mentalism and is using the traditionally prepared wizard setup. Walton decides he doesn’t want to risk “choosing wrong”, so he also prepares the curriculum spell of sure strike then force barrage, and fear in the remaining 2 slots. Walton knows that it is highly likely that he will get to use each of these spells in a meaningful moment at some point during the day. Walton knows other spells, but doesn’t want to risk preparing them without certainty he will encounter something of relevance, so he does not prepare them unless he succeeds at Recall Knowledge checks or otherwise gains information that would change his mind during preparation. He also knows that the maximum value he can gain from his selections he is likely to get, and because of that, he will have reached the “power ceiling” for his day. Bonded item also has maximum choice value because of his selection.

Lastly, we have Dex the flex wizard, who is also of the school of mentalism who decides to choose fear, illusory object, and their curriculum spell of sure strike. They decide to pick these three options because they feel comfortable having a fall back of force barrage and sure strike in the event that illusory object does not find a valuable use during the day. This allows them to lean into more narrative minded selections without the worry of “wasting” spell slots on spells that can be situational, or entirely narrative drive.

But let’s say Dex decides they want to beat the other casters in efficacy, so they instead maximize their daily value by picking the exact same spells as Cici and Walton, because after all, why not have the absolute perfect perfect spell at any given moment among the best spells for that level? So Dex picks force barrage, fear, and sure strike as well.

The question now becomes “Will Dex have a more efficient/powerful day than Walton just because Dex has a higher versatility to choose the right spell in the moment that is presented?”

And the answer to that is maybe, but also probably not.

Why? Because Walton prepared 3 spells that are all but guaranteed to get value during the adventuring day. In the event that a scenario isn’t presented to Walton where he would cast a spell in his favor, one cannot necessarily assume that his opportunity would have been any better with the other options Walton chose at his rank, because those spells were just as likely to have the exact same “guaranteed value” at the rank Walton chose as his first spell.

Similarly, Dex doesn’t inherently even know which spell is going to be the right spell for the encounter when all three of their spells could be a great choice in a given situation. Dex could also have imperfect knowledge of which spell is the correct spell in the situation presented. Even if we assume that Dex has Recalled Knowledge on the enemy to have their best save or worse save, they have already prepared spells that are always so useful. In order to “beat” Walton’s efficacy, Dex would need to not only choose the right spell for the exact right moment based on the selection Dex made with regard to Walton, they would need to have an opportunity where a spent slot was the right slot to have in that moment (without needing Drain Bonded Item). 

But even if that scenario were to arise, is it fair to assume that Dex’s spell that was cast was more effective than Walton’s spell slot? If Walton is using his spells effectively, then Walton probably is going to get value from the spell they prepared as well, and likely achieve a similar or exact efficacy as Dex did with their spell, because they are both casting “guaranteed value” spells.

In fact, due to circumstances and potentially miscalculated combat moments, Dex’s options may also be their undoing if they so choose to cast a spell that would not be perfect simply because they have the ability to produce some efficacy in that moment and they believe their adventuring day may end soon (such as casting fear an additional time when an enemy succeeds instead of changing to cantrips or a focus spell). Later Dex could be surprised by an unexpected encounter, and in spending an additional cast earlier due to perceived “efficacy” they left themselves unprepared for later.

Essentially Dex will be given more opportunities to choose right. But because of their spell access in each moment, they may also have more opportunities to choose “less right”, and more than likely they will simply end up making a choice of equal value, because Dex chose spells that always have efficacy and so did Walton.

Cici however just enjoys her day knowing that her choices are her choices and she’s probably gonna have a good time. She can even look forward to heightening spells spontaneously later, which will be a treat the other two spellcasters won’t get to enjoy. She maintains a similar power as both of the other characters simply by casting the best spell she has available at a time that suits her. If spells become less valuable later, she can replace them with spells she does want at those ranks as she levels.

Essentially, these gaps between “ceilings” end up being small. Dex is picking the best rank spells and Walton is picking the same. And in both scenarios, we have rather boring selections. Neither character can attempt to engage in any other aspect of play that isn’t combat related, because they have only prepared combat spells, knowing that the efficacy they will produce is inarguable, while spells that function in narrative may not even come up.

We also demonstrate how “reaching the power ceiling” requires a high system mastery to know what the best spells of each rank are, when to prepare them, etc. This high system mastery makes it difficult for new players to achieve the ceiling.

Now let’s try this comparison again, but this time Dex decides they aren’t getting that much more value by having 3 combat “guaranteed value” spells in a day than if they ran simply one or two of these spells and packing the very handy “illusory object” for a fun character moment that might happen later. Now on Dex’s adventuring day, they have not lost any actual efficacy, even if the scenario with the illusory object never materializes, because they can always rely on one of the other two spells, which have guaranteed efficacy, to be used for the slot in case illusory object never becomes more than a figment of the imagination. 

Conclusion

When you present prepared casters with the option to prepare a group of spells that slots consume on a per rank basis, you don’t actually increase their power ceiling, but you raise their power floor. The power ceiling is easily achievable by any prepared spellcaster by simply picking spells that are “too good to not have value”, but the power floor for those that wish to explore other options on the spell list is raised significantly.

What would the ramifications of such a change be?

 

  1. For starters, prepared casters actually develop into a very important niche that no other caster can without fear of becoming weaker: preparing narratively focused spells. This is something prepared casters do anyways, but usually at much higher levels through scrolls and lower level slots.
  2. Secondly, it narrows the gap between prepared spellcasting and spontaneous spellcasting. There is one edge that each of these two forms of casting have over each other in the setup. Spontaneous spellcasters still have “Spontaneous Heightening” which is incredibly strong on its own. This is a major advantage over any prepared caster, because choosing to prepare a spell in a higher slot is still a much more cumbersome choice. The edge that prepared casters have is of course breadth of spells known. The breadth gives them wider potential to make riskier choices to know while a sorcerer has to choose spells that at least would have some relevance in their adventuring career, even if occasionally a more niche choice. This versatility is on par with the versatility of the slot expenditure from Spontaneous Heightening.
  3. Lastly, the main achievement is new players and players with moderate system mastery can simply choose a few “old reliable” options while keeping a wide array of other options within their grasp during actual play. Allowing the selection of other spells that aren’t “guaranteed value” and less punishing play for “choosing wrong”. This raises the skill floor, power floor, and does not move the power ceiling of the class, since the power ceiling is relatively easy to approach with “guaranteed value” spell selections. This is also good for experienced players, because now experienced players are encouraged to engage with lesser used or niche spells by proxy. This by extension means they will look for “maximum value” in their other selections as much as they would have for their “guaranteed value” selections, and thus make for more interesting moments at the table through spells that would normally never make it into daily preparation.

That’s my case for how it could improve the game to give Wizard this form of flexible casting(lite). It pushes Wizard and Sorcerer further apart into their respective niches while leaving each more than capable of handling an adventuring day. Sorcerer’s have spontaneous heightening, and Wizards have the ability to pull out some interesting pocket picks that could change a whole moment.

Spell diversity goes up, which means play becomes more diverse, which helps combat stagnation, boredom, and keeps things fresh.

 

 

*Cleric or Druid “know” every spell of a rank, so for these two classes, I do not think the above casting is necessary as much as it would be appropriate for Wizard (and potentially Witch). With that said, it is much easier on new players and develops the same changes in behaviors as the above examples.

 

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The Making of the Eldritch Artist Archetype

Howdy y’all! It’s Lonesomechunk here (or otherwise known as Conner Berkheiser on Pathfinder Infinite) I figured I’d go over the creation of one of my favorite pieces of Infinite content that I’ve worked on: the Eldritch Artist Archetype.

 

The Ideas Phase

Archetypes+ began writing sometime last summer and It was my first project with Team+. Tony informed us of the plans for the project as well as ideas for it, such as what archetypes we wanted to focus on improving (like the pirate or assassin), however, we were also informed that we would get to create at least one brand new archetype as well! As exciting as this was, it was also somewhat daunting; “should I convert a beloved 1e prestige class to 2e? should I create something silly? something cool?”  I couldn’t decide, at least not for a little while. I discussed it with my co-writers and bounced ideas around, maybe I could do a magical girl archetype, or maybe I could do something inspired by the Revenant class from Guild Wars 2, but both didn’t really click (and considering the Starlit Sentinel and Animist would be announced months later, I’m glad I didn’t go for my initial ideas!). Ultimately, I let it simmer in the back of my mind for a good while as I got to work on other parts of the project.

Around this time I was playing Bravely Default II on the switch, as someone who loves RPGs, they sometimes make their way into my writing, inspiring me with ideas that might not be currently well-supported in the game. JRPGs in particular tend to have more “niche” or “odd” classes sometimes, especially Final Fantasy games and their spin-offs, you’d be hard pressed to find a western rpg with classes like “Patissier” or “Gambler”. This is for good reason of course, especially in a game like Pathfinder 2e where classes tend to be somewhat broad in concept, at least broad enough to encompass a whole 20 levels worth of content, usually complete with subclasses and such. Some of these more specific job concepts therefore would make for good archetypes, seeing as they can be easily applied to existing classes and don’t necessarily need to sacrifice their more “niche” appeal to do so. All of this is to say, when I obtained the Pictomancer job in Bravely Default II, something clicked, and I knew I found my archetype. As an artist myself, it seemed so obvious and so perfect, Pathfinder 2e didn’t have anything like it, and I already had plenty of ideas for what I wanted to do with it.

Folie the Pictomancer from Bravely Default II

The Creation Phase

So when it comes to creating an archetype or any kind of subclass, what I tend to do first is think about what kinds of things inspired it, what kinds of examples could I draw on to help inspire this idea? What cool moments did I want to help enable and is there some kind of theme that can tie it all together? At this time, the Eldritch Artist wasn’t fully formed, but I did have a strong inkling of what I wanted to do with it. In Bravely Default II the Pictomancer was more of a debuff focused class with the painting aesthetic, and while that certainly could have been route to take with the Eldritch Artist, I felt that in the context of a game like PF2e, I could get a lot more creative with it! I thought about characters like Sai from Naruto, summoning animals in combat from his Ink paintings or how the Pictomancer in Bravely Default II had a strong color theme to their abilities, leading to the idea of creation and visual effects. Due to the existence of spells like Dizzying Colors (at the time called Color Spray) as well as various illusory effects that mess with one’s vision, I knew that combining magic and art would let me tap into some unique elements that we currently didn’t have much of in the game. While Bards are great buffers and debuffers themselves, they’re also specifically occult and focused on music and auditory art forms, not visual, so I wanted Eldritch Artist to stand apart from it by going a different route.

Now that I had a stronger idea for what concepts & themes that I was going to focus the Eldritch Artist on, now came the part where I roughed out ideas, creating bullet points & simple descriptions for various feats, stuff like “being better against illusions (optical illusion theme)” or “summoning creatures from art”. From there I did my research and looked into different parts of PF2e where similar effects may already exist to gauge the rough power level of my ideas and where I could place them. I saw Psychic had the Thoughtform Summoning, which allowed them to modify their summons in a unique way, and I also saw how archetypes like Hallowed Necromancer or Dragon Disciple allowed you to nab spells that might not be on your list normally, which would be extremely fitting for things like Prismatic Spells or other spells with the Visual trait. I also thought about the Colorful Coatings from Treasure Vault, wonderfully fun items that didn’t scale super well but had a lot of potential in something like Eldritch Artist, once again calling back to the theme of color. My own real life experiences as an art student also made naming the feats and coming up with concepts tons of fun, I’m particularly proud of feats like Color Thaumaturgy, being a play on the word Color Theory or how fun Paranormal Pigments is to say (I’m a big fan of alliteration in my naming conventions). I also just knew that I had to include something to allow for the creation of one’s personal artistic demiplane, there was even module written early in Pathfinder 1e called Gallery of Evil that included a part where you went inside a painting to fight some monsters, sick!

An Eldritch Artist Wizard I made for a Playtest in a Magic the Gathering themed One-Shot

The Refinement Phase

Luckily when it came to the Eldritch Artist, the refinement phase was fairly smooth sailing. By the time I had written out most of the feats and abilities I turned it over to Tony for feedback and was given some really great suggestions that helped to guide it to its finished state. Most of it stayed pretty much the same but even those small tweaks really helped to give stuff like the Dedication and feats like Conjuring Canvas some real juice, defining them more clearly and making them more unique from similar effects. Unfortunately, now also came the time for the dreaded naming phase, what the hell was I gonna name this thing? It might seem a little odd to hear but I struggle with names and I didn’t actually land on the name Eldritch Artist for a while. I thought of just stealing Pictomancer but that name feels so rooted in Final Fantasy I wasn’t sure it would be okay, and It was mechanically distinct enough that I didn’t want direct comparisons. Maybe something else thats like a play on those words? I’ve always heard that “-mancy” was technically incorrect since that word technically refers to a style of divination while “-thurge” is technically more accurate (Pyrothurge being more linguistically fitting than Pyromancer despite many using the latter term quite often to mean the former). What about Ikonomancer? Ikonothurge? Maybe that’s too out there? Maybe Arcane Artist? It has the alliteration but this isn’t meant to be Arcane specific, ultimately what I landed on was Eldritch Artist, somewhat based on Eldrtich Archer. To be quite honest, looking back I kind of wish I stuck with Ikonothurge as unfamiliar of a term as it might be, Eldritch Artist feels almost a tad bit plain. Ultimately though I still elected to include the term in the flavor text, referring to the synthesis of magic and art as “Ikonothurgy”.

Closing Thoughts

Being involved in the creation of Archetypes+ was a ton of fun and an incredible learning experience, I got to really push myself to write more than I thought I was capable and really stretched my design muscles to do things I wasn’t fully comfortable with at the time (such as creating high level feats). Eldritch Artist in many ways is probably one of the things I’m most proud of, I have a lot of fondness for it as something that is uniquely mine and inspired by me being both an artist and JRPG nerd. Even If I can look back and see a number of things I would like to change (and a number of things that might require changes due to the Remaster), I nonetheless still hold it near to my heart. If you ever create a PC using the Eldritch Artist archetype please let me know! I’d love to hear all about them! Until next time!

 

 

Pathfinder Lore Nerd, Gay Illustrator, Lover of Cats and a bunch more! If you’re part of the Team+ Discord, chances are you’ll see me around, I’m @Lonesomechunk! I also made the “Golarion Unleashed” product line on Pathfinder Infinite and have contributed to projects like Player Core 1 Expanded,  Archetypes+ &  Feats+!
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Cera’s Wild Ride #1: Booster Pack Feats

“Free” to pick the Medic archetype again

To those of y’all who know me, you know me for my based takes — such as my unrestricted, seething hatred for Free Archetype. I’m sure many of my fellow, somewhat less based but still so, peers would agree, arguing that it boosts the average power of the player characters, and the worst that it unevenly does so; any player that chooses flavour over a “power-up” archetype such as the aforementioned Medic will find themselves lacking or limited in comparison to the other players’ characters. There’s also the fact that multiclass archetypes are almost always more powerful than non-multiclass ones — all of you who picked Rogue Dedication for no flavour reasons but for Sneak Attacker or Skill Mastery, please stand up and leave the premises.

 

O-okay, now come back, it gets awkward talking to just myself.

Of course, I’m well aware that the rules that the rules suggest restricting the archetype options, but people commonly just interpret the “free” part as “free as in speech” rather than “free as in beer”.
But oh well, we have a solution, no? Just simply disallow Free Archetype, that should solve the issues, right?

I’m only human, after all

Versatile Heritage. Natural Ambition. Optionally Clever Improviser and Multitalented. Sounds familiar, huh?
(The joke also would work with Ancient Elves, but you can counter players who pick that by calling them boomers. Trust!)

The thing is, even if you disallow Free Archetype (which is effectively just extra feats), you’ll still have players who optimise for extra feats. Do note that I didn’t say “optimise for extra power” — sure, some players are like that, but most, from what I’ve found, just wants the extra customisation options. General feats are the primary guilty party for being all over the place enabling certain builds that would otherwise take half a game to actually start (read: level 3-5 (don’t lie, we all know nobody plays above level 10)).

There’s also the fact that I just hate people picking humans as an ancestry. You could be anyone and yet you pick Joe Shmoe?

“Yeah, you can ignore the restrictions”

There inevitably comes a time when a player, on purpose or by accident, picks an archetype that just… doesn’t have enough feats to actually fit the Free Archetype feat slots. It might be missing a level 4 feat, it might have said feat be a skill feat, or it might just simply not have enough feats coming in a timely manner. This leads to a curious situation where GMs will typically tell the players to just ignore the restrictions: they are allowed to start a new archetype without picking up the mandatory 2 feats. Some GMs already start the players off with this restriction lifted — the most common variant I see is that the Free Archetype line of feat slots are considered entirely separate from your main class feats, and starting an archetype in one only limits you to the archetype for 2 feats in that “line”.

There’s also a curious variant of this: when a player wants to multiclass into their own class. In truth, not everyone is looking to make their character into a world-travelling factotum. You could rule that they can pick their multiclass archetype, but that’s not the same, is it? The dedication usually gives the establishing base for the class, which — being a member of that class — they already have. Their first meaningful choice would actually be a level 4, when they can finally pick up a level 1 or 2 feat of their own class. Was that worth it?

Swimming against the current

This is more of a player expectation issue, but if you don’t offer Free Archetype, you’re going against the majority of the playerbase. Now, there are admittedly several potential problems with using this poll as evidence (1. players presumably are the majority, and there are 4-6 players to a GM, 2. it’s Reddit only, 3. it’s Reddit), but it’s still a good indication that at least sixty-something percent of the voters here use Free Archetype. Builds shared online are typically planned with Free Archetype in mind, Free Archetype is often the first “homebrew” suggested to newer GMs, etc.

The parameters

So! We have quite the predicament. We can’t just throw out Free Archetype, but we also don’t wanna use it (and if you say you do wanna use it, just pretend you don’t for a moment so I can make my argument, yeah?).

We’ve got these points to watch out for:

  • We do not want to give a full Free Archetype for the reasons established above.
  • We do want to give some extra feat slots to players.
  • We want to give at least one general feat as they’re often used as “build-fixers”.

Of course, there are many ways to approach this, but I’m here to share the way I do it in my games. I like to call it…

Booster Pack Feats

(I-it’s a joke on another joke about paid-for Free Archetype feats where I called the concept “Paid Archetype”, but ANYWAY–)

This variant rule is simple, you give your players three extra feats:

  • One class feat received at level 1,
  • one general feat received at level 1, and
  • one class feat received received at level 2.

Each feat granted serves a specific purpose.

The level 1 class feat allows spellcasters to actually pick up a feat at the start of the game, allowing for some customisation without increasing the player characters’ power level overmuch. Level 1 and 2 class feats also generally serve as a way to “set up” a build in a few classes, and this just speeds up the process without needing to wait til one or more level ups.

The level 1 general feat similarly allows players to pick up some of the most critical general feats in a timely manner. This could be Armour Proficiency to increase their defences or Weapon Proficiency for their offence, or Toughness / Fleet / Canny Acumen to pick the power feats they would pick anyway.

The level 1 feats together de-emphasise the importance of going Natural Ambition Versatile Human without directly nerfing it.

The level 2 class feat allows players to freely start archetyping if they want to, or commit to picking more of their class’s feats if they’re satisfied with what they have.

The class feats together give spellcasters some class feat options before level 4. The inspiration for this variant rule actually came from a real situation I had with a relatively newer player, where she decided to pick a spellcaster with a class archetype. It was only then that I realised that her first actual class feat choice would be at level 4, which got me thinking — I didn’t really want to throw Free Archetype at newer players, no matter how brave they are.

Implementing it in Foundry

Now, because most of you play in Foundry, and I’m a Foundry “specialist”, I’ll also demonstrate two ways you can implement this in your games.

Using campaign feats

A relatively rarely used feature of the PF2 system on Foundry is “campaign feats” — extra feat slots to use in your games. As a GM, create a temporary macro, and paste this in there:

const FeatCategories = [
    {
        id: "boosterPackFeats",
        label: `Booster Pack Feats`,
        slots: [
            {
                id: "extraGenFeat",
                label: "GEN"
            },
            {
                id: "extraClassOneFeat",
                label: "CL1"
            },
            {
                id: "extraClassTwoFeat",
                label: "CL2"
            }
        ]
    }
];

game.settings.set("pf2e", "campaignFeatSections", FeatCategories);

The code above simply sets a system setting, that of the “campaign feat sections”. This is a list of elements, and we give it a list of one item — our boosterPackFeats. The label is used to determine what gets displayed on the player sheets, and the slots simply define what, well, feat slots shall appear in this new feat section. When all is done, set the type of the macro to “script”, and run it. Note that you should definitely not run random scripts found on the net, so maybe get this code checked out with someone you trust, but I assure you it’s nothing malicious.

When all’s said and done, you should get a result that looks like this:A demonstration of the "booster pack feats" code. The picture shows the "Feats" page of a Fighter in Foundry.Of course, this solution has several problems. One, the feat slots appear even when the player is not of the correct level — see the “CL2” feat slot. Two, because these mix a general feat and class feats, you cannot set up filters for them, which means that if the players press the magnifying glass icon next to the slots, they get an unfiltered view of all feats and features.

These two problems can be somewhat fixed by separating the feat categories into two:

const FeatCategories = [
    {
        id: "boosterPackFeatsGen",
        label: `Booster Pack Feats - General`,
        slots: [1],
        supported: ["general"]
    },
    {
        id: "boosterPackFeatsClass",
        label: `Booster Pack Feats - Class`,
        slots: [1, 2],
        supported: ["class"]
    }
];

game.settings.set("pf2e", "campaignFeatSections", FeatCategories);

The problem that still persists however is that you have no way of filtering down the class feat slots to class — they will instead show feats for every class you have.

ChoiceSet + GrantItem: the Derry Special

You can also instead make two custom features that each ask the player what feat or feats they want to pick. This solution presumes enough knowledge of the system to know what rule elements are, so be warned. The first one would ask about the first level feats, with rule elements like so:

{
  "key": "ChoiceSet",
  "choices": {
    "filter": [
      "item:category:class",
      "item:trait:{actor|class.slug}",
      "item:level:1"
    ],
    "itemType": "feat"
  },
  "adjustName": false,
  "flag": "classFeat",
  "prompt": "PF2E.SpecificRule.Prompt.Feat"
}

{
  "key": "GrantItem",
  "uuid": "{item|flags.pf2e.rulesSelections.classFeat}"
}

{
  "key": "ChoiceSet",
  "choices": {
    "filter": [
      "item:category:general",
      "item:level:1"
    ],
    "itemType": "feat"
  },
  "adjustName": false,
  "flag": "genFeat",
  "prompt": "PF2E.SpecificRule.Prompt.Feat"
}

{
  "key": "GrantItem",
  "uuid": "{item|flags.pf2e.rulesSelections.genFeat}"
}

Most of the fields presented here are relatively self-explanatory if you know about rule elements.

The {actor|class.slug} might look curious, but it simply gets some data from the player character, the “actor”. It gets its class, and from that, the class’s slug — which is usually an all-lowercase version of the class’s name, with spaces replaced with hyphens, and most special characters removed. This is not an exact definition, but it suffices.
The thing to note is that this same format is also how traits are stored, so this will match up most classes with their respective traits.

The other two fields that might merit an explanation are flag, which stores a custom value on the item (which then the GrantItems look for and use to determine the UUID of the feat to grant — this is how your picked choice is granted to you), and prompt, which is usually ordinary English text that instructs the user what to do, but here, we use PF2E.SpecificRule.Prompt.Feat, which in the system will display “Select a feat.” translated to the user’s language.

After this is done, you need a second feature that does something similar, but it only uses the class-feat-granting ChoiceSet and GrantItem, and the former is changed like this:

{
  "key": "ChoiceSet",
  "choices": {
    "filter": [
      "item:category:class",
      "item:trait:{actor|class.slug}",
      {
        "lte": [
          "item:level",
          2
        ]
      }
    ],
    "itemType": "feat"
  },
  "adjustName": false,
  "flag": "classFeat",
  "prompt": "PF2E.SpecificRule.Prompt.Feat"
}

“LTE” stands for “lesser than or equal” — this is a check for the feat’s level to be either 1 or 2 (or 0, but don’t make level 0 feats, please).

When you’ve made these two features, you will need your player to give them to themselves — the person who drags the feature to a character gets asked about their choices. You will also need to do this again when they reach level 2 and the second feature must be added.

That’s all, folks!

Despite my (admittedly partially comedic) hatred for Free Archetype, I do still suggest using it for games where it would thematically make sense; Strength of Thousands is a really good example of one such case. However, for other games where you’d pretty much only use Free Archetype just because, why don’t you give Booster Pack Feats a go, and see if it helps?

Up SLH’s Sleeve: Beastek Unconvention for Inventors+

Inventors+ added the idea of unconventions to inventors, alternate power sources than explosive flame. Pathfinder, of course, has beast guns and beast armaments. Why not combine the two ideas? The following unconvention is available to inventors.

 

Beastek

Using elements of a slain creature, your innovation is built on techniques adjacent to those used in beast guns, using the natural and unnatural elements of the creature in question to brutal effect. Your innovation gains the beast trait in addition to its other traits, and any effect you create with your innovation is considered to be created by a beast.

Beast Mode ◆

You activate spiritual remnants of the hunt in the gizmos of your beastek innovation, maiming your foes with rending claws and gnashing technological teeth. Attempt a Crafting check that has a standard DC of your level. If you have a weapon innovation, you can choose to change the additional damage from Beast Mode to your choice of piercing or slashing damage.

Critical Success Your gizmos roar to life, surging with power in beast mode. For 1 minute, when you successfully Strike a creature and you have used an action with the move trait this turn, you deal additional damage equal to your Intelligence modifier and the target takes a -1 status penalty to Fortitude and Reflex saves until the start of your next turn.

Success As critical success, except the damage is equal to half your Intelligence modifier.

Failure You fail to motivate the bestial spirit of your innovation, nothing happens.

Critical Failure Unprecedented! Your beastek innovation has lashed out at you instead. You take slashing damage equal to your level, and you can’t use Beast Mode again for 1 minute as your gizmos cool down and reset.

Eviscerate ◆◆

Beast, Inventor, Manipulate, Unstable

You cause your innovation to lash out in a wide arc, brutally goring those in its path. This gory swing targets all creatures in 3 contiguous five-foot cubes, all of which must be adjacent to you (or your innovation if it’s a minion) and take 1d8 slashing damage with a basic Fortitude save. A creature that fails their save also takes persistent bleed damage equal to 2 + half your level, and if they critically fail they’re also sickened 1.

At 3rd level and every 2 levels thereafter, the damage increases by 1d8.

Special If you have the Variable Core feat and you alter your Eviscerate’s damage type, affected creatures take persistent damage of the chosen damage type instead of bleed damage.